Something stirs in Mudbury.
The chickens started biting, the scarecrows got up and went for a walk, and somewhere past the wood the cathedral began to grin. Bring some friends (or let the locals fill the empty seats), grab a pitchfork, and march out to find what the blight wants. It will tell you everything is fine. It will be lying.
Latest:Strings Attached
Four acts, from a pub where Gerald has finally started talking, to a crack in reality with bits of Mudbury drifting past. It ends on the castle steps, where the King pins a medal on every hero by name (mostly; he's been up for three days).
The Hollow tries on three bodies, one of them a barn-sized Mr. Whiskers. The Smile stops smiling. The Thing Behind the Blight is never quite seen. Bosses mark the ground before they hit, so you can get out of the way.
Get the villagers to the pub, hold the bridge, keep the King alive while he has a sit down. Let them down and the narrator, who isn't having it, makes you do it again. A gold arrow shows the way on.
Play alone, even offline, or with friends. Empty seats go to the locals: a gravedigger who has already measured you, a woman with a spare spoon, and a bard with no rhyme for Mudbury.
Hold Old Gnarl, Mudbury's ancient oak and only attraction, from dusk till dawn against organised goats, forgetful bandits, uncivil dead and something with horns that is telling its dad. A second siege, The Last Drop, waits out in the desert, with nothing for shade.
Every sprite, every building, every pumpkin is drawn procedurally in code. The only pictures in the box are the splash screen, the title banner and the app icon, and they know they're outnumbered. All 42 songs are written note by note in Lua.
